Jesy Gilkes

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  • Coursework
    • Form and Gesture
      • Experimenting with Texture
      • Feeling and Expression
      • Groups of Objects
      • Observing Shadow using Blocks of Tone
      • Creating Shadow Using Lines and Marks
      • Shadows and Reflected Light
    • Intimacy
      • Detail and Tone
      • Still Life Using Line
      • Still Life in Tone Using Colour
      • Experiment with Mixed Media
      • Monochrome
      • Quick Sketches Around The House
      • Composition – An Interior
      • Material Differences
    • Expanse
      • Trees
        • Sketching individual trees
        • Larger Observational Study of an Individual Tree
        • Study of Several Trees
      • Landscape
        • Cloud Formations and Tone
        • Sketchbook Walk
        • 360° Studies
      • Composition
        • Developing Your Studies
        • Foreground, Middle-Ground and Background
      • Perspective
        • Parallel Perspective – An Interior View
        • Angular Perspective
        • Aerial or atmospheric perspective
      • Townscapes
        • Sketchbook of Townscape Drawings
        • Study of a townscape using line
        • A limited palette study
        • Statues
    • The Figure and the Head
      • Fabric and Form
        • Drawing Fabric using Line and Tone
        • Emphasising form with cloth
      • Proportion
        • Quick Studies
        • A Longer Study
      • Form
        • Basic Shapes
        • Essential Elements
        • Stance
        • Energy
      • Structure
        • The Structure of the Human Body
        • Three Figure Drawings
      • The Moving Figure
        • Single Moving Figure
        • Groups of Figures
      • The Head
        • Facial Features
        • Your Own Head
        • Portrait from memory or the imagination
    • Personal Project and Written Element
      • Overall Evaluation and Written Assessment of Parts One to Four
      • Ideas & Studies
      • Artist’s Statement
  • Research
    • Form and Gesture
      • Odilon Redon
    • Intimacy
      • Composition
      • Positive and Negative Spaces
      • Domestic Interiors
    • Expanse
      • Landscape Artists of Different Eras
      • Vija Celmins
      • Historic and Contemporary Artists – Landscape in Series
      • Traditional v Contemporary Artists and use of Viewpoints
      • John Virtue
    • The Figure and the Head
      • History and Depictions of the Human Figure
      • Ideas and Arguments Surrounding the Naked Form
      • Foreshortening and the Human Form
      • Historic and Contemporary Artists’ use of the Body’s Underlying Structure
      • Depiction of the Face throughout History
      • Artists’ Self-Portraits
      • Tutor Artist Recommendations from Part 4
    • Personal Project and Written Element
      • Influential Artists and Styles
  • Assignments
    • Assignment 1
      • Assignment 1 – Feedback and Reflection
    • Assignment 2
      • Assignment 2 – Feedback and Reflection
    • Assignment 3
    • Assignment 4
      • Assessment Criteria Reflection
      • Assignment 4 – Feedback and Reflection
    • Assignment 5
      • Assignment Criteria and Reflection

Assignments

Form and Gesture – Assignment 1

https://jesygilkesuca.home.blog/2020/02/18/assignment-1/

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