Jesy Gilkes
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Coursework
Form and Gesture
Experimenting with Texture
Feeling and Expression
Groups of Objects
Observing Shadow using Blocks of Tone
Creating Shadow Using Lines and Marks
Shadows and Reflected Light
Intimacy
Detail and Tone
Still Life Using Line
Still Life in Tone Using Colour
Experiment with Mixed Media
Monochrome
Quick Sketches Around The House
Composition – An Interior
Material Differences
Expanse
Trees
Sketching individual trees
Larger Observational Study of an Individual Tree
Study of Several Trees
Landscape
Cloud Formations and Tone
Sketchbook Walk
360° Studies
Composition
Developing Your Studies
Foreground, Middle-Ground and Background
Perspective
Parallel Perspective – An Interior View
Angular Perspective
Aerial or atmospheric perspective
Townscapes
Sketchbook of Townscape Drawings
Study of a townscape using line
A limited palette study
Statues
The Figure and the Head
Fabric and Form
Drawing Fabric using Line and Tone
Emphasising form with cloth
Proportion
Quick Studies
A Longer Study
Form
Basic Shapes
Essential Elements
Stance
Energy
Structure
The Structure of the Human Body
Three Figure Drawings
The Moving Figure
Single Moving Figure
Groups of Figures
The Head
Facial Features
Your Own Head
Portrait from memory or the imagination
Personal Project and Written Element
Overall Evaluation and Written Assessment of Parts One to Four
Ideas & Studies
Artist’s Statement
Research
Form and Gesture
Odilon Redon
Intimacy
Composition
Positive and Negative Spaces
Domestic Interiors
Expanse
Landscape Artists of Different Eras
Vija Celmins
Historic and Contemporary Artists – Landscape in Series
Traditional v Contemporary Artists and use of Viewpoints
John Virtue
The Figure and the Head
History and Depictions of the Human Figure
Ideas and Arguments Surrounding the Naked Form
Foreshortening and the Human Form
Historic and Contemporary Artists’ use of the Body’s Underlying Structure
Depiction of the Face throughout History
Artists’ Self-Portraits
Tutor Artist Recommendations from Part 4
Personal Project and Written Element
Influential Artists and Styles
Assignments
Assignment 1
Assignment 1 – Feedback and Reflection
Assignment 2
Assignment 2 – Feedback and Reflection
Assignment 3
Assignment 4
Assessment Criteria Reflection
Assignment 4 – Feedback and Reflection
Assignment 5
Assignment Criteria and Reflection
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